Review: Frames by Void & Vista

Void & Vistaโ€™s Frames is a cinematic sample instrument for Kontakt packed with expressive presets, lo-fi textures, and inspiring sound design โ€” perfect for dark ambient, scoring, and experimental music.

Void & Vista have been steadily carving out a reputation for making sample instruments that donโ€™t just sound good, but feel creatively inspiring. After Folds and Strands, the companyโ€™s latest release โ€” Frames โ€” continues that trajectory with a focus on eclectic prepared instruments, resonated objects, and rich sound design.

Prefer video? ๐ŸŽฅ
๐Ÿ‘‰ Full Review / Demo: https://youtu.be/lU9x_8bmCn8
๐Ÿ‘‰ ‘No talking’ Demo: https://youtu.be/i5YGfEtoKk4 ๐ŸŽง

What Is Frames?

At its core, Frames is a 16 GB sample-based instrument for Kontakt (full player support, NKS compatible, works best in Kontakt 8). It features:

  • 40 different sound sources (instruments, objects, textures, waves, and effected recordings)
  • Two-layer sound engine with morphing capabilities
  • Extensive snapshot library divided into three categories:
    • Highlights โ€“ curated presets that showcase the breadth of the instrument
    • Designed โ€“ deeper sound design explorations
    • Foundations โ€“ snapshots truer to the raw source recordings

One standout feature is Zone Shift, a clever pitch manipulation tool that alters timbre and rhythmic artifacts while keeping the perceived pitch stable. Itโ€™s particularly useful for darker, droney, and cinematic textures where subtle detuning and timbral shifts add huge amounts of character.


Interface & Workflow

Void & Vista have a knack for UI design, and Frames is no exception. The interface is stylish, clean, and inspiring to look at โ€” important when youโ€™re going to be spending hours with an instrument.

The main page provides eight โ€œperformance controlsโ€ (motion, ensemble, lo-fi, character, space, morph, etc.), all of which can be expanded for deeper sound design. Crucially, the visual feedback isnโ€™t just pretty animation โ€” it shows you exactly whatโ€™s happening under the hood as you move parameters or the mod wheel.

The mod wheel mapping is especially well-tuned. Instead of simply adding more reverb or filter brightness, many presets morph into entirely different textures as you push it. That unpredictability can be a huge creative spark โ€” suddenly youโ€™re writing with the instrument rather than just playing it.


Sound & Playability

This is where Frames shines.

  • Expressive snapshots โ€“ The Highlights folder alone feels like a journey. Presets donโ€™t just โ€œget louderโ€ with dynamics; they evolve, bloom, and sometimes transform into a completely new voice.
  • Cinematic depth โ€“ Many sounds feel ready for the screen straight out of the box. Dark, lo-fi pads, unsettling drones, unnerving textures, and gorgeously haunting keys all have a finished quality.
  • Creative source material โ€“ Chairs, gates, bowed foil, macaroni (!) โ€” all turned into playable instruments with surprising warmth or menace. These are not gimmicks; theyโ€™re meticulously captured and mixed so they feel musical, not novelty.
  • Low-fi character โ€“ Fans of Folds will be pleased to hear continuity in Void & Vistaโ€™s sonic aesthetic. Thereโ€™s grit, weight, and vibe baked into the samples, which gives them that elusive โ€œcinematic soulโ€ thatโ€™s so hard to fake.

Whether youโ€™re writing dark ambient, cinematic underscore, lo-fi electronica, or experimental textures, Frames feels like a goldmine.


Strengths

  • Incredibly inspiring presets โ€” even the first few minutes can spark ideas
  • Deep snapshot library with a clear organizational structure
  • UI that balances aesthetics with functional clarity
  • Expressive morphing via mod wheel, giving a wide range of timbres per patch
  • Unique, carefully recorded sound sources that feel musical and not gimmicky

Possible Drawbacks

  • Some presets may be too complex or unpredictable if you just want a โ€œset-and-forgetโ€ instrument
  • A few patches (like the โ€œVocal Throneโ€) left me wishing for smoother legato or more lyrical expression โ€” but these can be tweaked under the hood
  • At 16 GB itโ€™s compact compared to orchestral libraries, but still a bit hefty if your drive space is tight

Final Thoughts

Void & Vista continue to prove themselves as one of the most creative sample developers out there. Frames doesnโ€™t just give you new sounds โ€” it reshapes how you think while youโ€™re playing. That โ€œinspiration factorโ€ is priceless for composers.

If youโ€™re working in cinematic scoring, dark ambient, or experimental music and you want an instrument that can surprise you in the best way, Frames is absolutely worth your attention.

Picture of Markus Junnikkala

Markus Junnikkala

Soundtrack Composer, Host of the 'Be a Better Artist' Podcast, Lifter of Things.

Share This Post

More To Explore

Reviews

Strezov Sampling PRIMAL Review โ€” Instant Cinematic Savagery

A raw, organic, cinematic toolkit built on texture and frictionโ€”PRIMAL delivers gritty strings, performance-driven percussion, buzzing winds, and atmospheric soundscapes that inject physical energy into modern scoring. This is dirt-under-the-fingernails cinema.

Reviews

sonible smart:comp 3 and the End of Guesswork Compression

sonible smart:comp 3 rethinks compression around musical intent rather than numbers. With its new Compression Matrix, refined spectral processing, and powerful Group Mode, itโ€™s a fast, flexible, and surprisingly musical compressor for modern mixing and mastering.

Want to Keep Logging?

Subscribe to my newsletter!

Want to Support this (B)Log?

Become a member! (it's not a cult!)

Review Your Cart
0
Add Coupon Code
Subtotal